Posts

mater

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 In this  change of life, I  question my role as  mother ~ one of my favourites being this depiction of  Mary, full of doubt, at her  Anunciation: And then, a series of sketches by Matisse, in preparation for inclusion in the Dominican Chapel, Venice: Oh look! Christ's suffering. Oh look! the  nailing of his body to the Cross Oh Look! the glorious  sketches of the face of the Mother. I did not document the series of drawings which make me think of  Mary as a whore Here she is, as an  angel: Here, surrounded by stars: And here, the exquisite  embrace of mother and  child: the Museum has a maquette of early ideas for the windows: The chapel itself [which could not be photographed], thin, thinned, as is  the thinness of air  on the top of a mountain I sit in awe of something perhaps already transubstantiate An atmosphere not comprised of oxygen [which we desperately  need] but perhaps already the breath of  saints.. Except for Jesus'  body, all of  30cm tall,  here being  sculpted

On being a medium, on mediating

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Body and spirit, strength and decay; a mediation between  substance and design and time

Glass

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 Whilst traveling, I am commissioned to write an article on the current exhibition at Fundazione Berenga. An excursion into light, death, fracture, prisms, mortality...and hope.  Thank you, Aimee Frodsham, AD Canberra Glassworks, and Studio Berenga, Venice, Italy. 

Old and new

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This is not the most beautiful of my photos, but it is one of the most comforting: old and  new, soft and  hard, water and  stone, bodies and  light we are all here  together but in this one  moment, nothing has more meaning than the fact that we are  juxtaposed. Even, if and when Venice drowns, in the future; if and when, we become no more  

A document of slavery--Venice Biennale

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Where my feet tread..

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And what I dread..